“Suppose I were to give you a key ring […] with a hundred keys, and I was to tell you that one of these keys will unlock it, this door we’re imagining opening in onto all you want to be, as a player. How many of the keys would you be willing to try?’
[…]
‘Well I’d try every darn one,’ Rader tells Lyle.
[…]
‘Then you are willing to make mistakes, you see. You are saying you will accept 99% error. The paralyzed perfectionist you say you are would stand there before that door. Jingling the keys. Afraid to try the first key.” 
― David Foster Wallace, Infinite Jest 

CREEPER CREEPER BY DAMEHT

” A NEW VIDEO FOR THEIR SINGLE “CREEPER CREEPER” AND IT’S A CAMPY BLAST. TAKING CULTURAL HINTS FROM THE LIKES OF STEVE STRANGE, SOO THE CAT WOMAN AND NEW ROMANTICISM, THE VIDEO IS A VISUAL TREAT AND AN APPROPRIATE ODE FOR A BAND KNOWN BEST FOR THEIR SECRET SHOWS.” NYLON MAGAZINE

” SO I WENT TO NEW YORK CITY TO BE BORN AGAIN. IT WAS AND REMAINS EASY FOR MOST AMERICANS TO GO SOMEWHERE ELSE AND START A NEW. I WASN’T LIKE MY PARENTS. I DIDN’T HAVE ANY SUPPOSEDLY SACRED PIECE OF LAND OR SHOALS OF FRIENDS TO LEAVE BEHIND. NOWHERE HAS THE NUMBER ZERO BEEN OF MORE PHILOSOPHICAL VALUE THAN IN THE UNITED STATES…. AND WHEN THE TRAIN PLUNGED INTO A TUNNEL UNDER NYC, WITH ITS LINING OF PIPES AND WIRES, I WAS OUT OF THE WOMB AND INTO THE BIRTH CANAL…”

EN KJEMPE LANDSKAPS-SKULPTØR ANN IREN BUAN

JENTA LAGER ET LANDSKAP RETT PÅ PAPIRET I EKTE STØRRELSE! HUN STILLER UT SINE VIDE VISJONER BÅDE INNLANDS- OG UTENLANDS, HUN ER PÅ TUR OG MEDDELER I ASTRUP FEARNLEY MUSEETS GRUPPEUTSTILLING NY NORSK ABSTRAKSJON, VIER UT NO PLACE GALLERI OG SØLER OBJEKTIVT PÅ KUNSTNERFORBUNDET MENS TANTENE DRIKKER KAFFE OG SPISER KAKER …

DT 500 MAG SHARES THE CONTEMPORARY ART CONTEXT OF MORTEN VISKUM AND REQUIRES MORE ATTENTION AND REFLECTION OVER TIME, IN ORDER FOR SEVERAL LAYERS OF MEANING TO BE ABLE TO EMERGE. WE MUST HAVE A DEEP AND HONEST DIALOGUE WITH THE ART WORK IN ORDER TO GET ANYTHING OUT OF IT.

” The logical way to give earth a break is to stop producing things we don’t need, whether it got marked by the environmental mark or not, and to go secondhand with everything possible. My passion is to find treasures in the trash…and to see beauty in the broken.”

” I JUST HOPE TO CONVEY SOME EMOTION TO THE VIEWERS. IF THIS HAPPENS, YOU CAN SAY THAT I HAVE ACHIEVED MY PURPOSE. I TRY TO BE VERY HONEST WITH EMOTIONS THAT I APPLY IN MY PHOTOGRAPHS. I USE PHOTOGRAPHY AS THE BEST WAY TO SHOW THE FEELINGS I CAN NOT EXPRESS IN WORDS OR DEEDS.”

ANTHONY LISTER THE LOWBROW-O

THIS EPISODE IS ALSO LEGENDARY ABOUT A GRAFFITI WRITER RISK, NEW IMAGE ART GALLERY OWNER MARSEA GOLDBERG, DIRECTOR MARK SIMPSON, AND PERFORMANCE ARTIST ARIEL BRICKMAN TALKS ABOUT LISTER’S INCREDIBLE STYLE AND DEDICATION TO HIS TRUE LOVE, ARTISTIC EXPRESSION.

” I DDD er alles mening viktig enten du er “rookie” eller “O.G” (Original Gangster). Det er en av de tingene jeg setter mest pris på i DDD, men det er til gjengjeld ganske krevende, kanskje spesielt for en “nykomling”. Men øvelse gjør mester, og å bli utfordret på disse tingene hver dag samtidig som man får observere andre med erfaring jobbe så fokusert, er utrolig god trening.”

DEEP DOWN DOPEIZM THE BODY TEASERS

WARNING!
DOWNTOWN 500 ZINE’S TEASING THE RHYTHM WITH DEEP DOWN DOPEIZM :
A BODY SHIVERS NEXT DOOR !
THE MORE TO MOVE, THE EXCLUSIVE INTERVIEW IS ON THE WALL SOON… JUST ROUND THE CORNER ♥
WATCH OUT!
Deep Down Dopeizm
ANTIBIOSE // Urpremiere til Oslo-basert streetdans-crew.
ARRANGØR: Bærum kulturhus
11. – 12. mars 2016
Dans/Store Sal

DISCLAND BY HILDE MARSTRANDER: ECO -LAND ART

DISCLAND ER EN GLITRENDE “STILLE ØY” I FORMAT; 3 METER I DIAMETER OG 1,65 M. HØY. DEN ER PLASSERT PÅ ET AVSIDESLIGGENDE LANDOMRÅDE I NORD-THAILAND, SOM ER KJØPT OPP AV DE TO ANERKJENTE THAILANDSKE KUNSTNERNE RIRKRIT TIRAVANIJA OG KAMIN LERTCHAIPRASERT;THE LAND FOUNDATION. HER INVITERES KUNSTNERE OG ARKITEKTER FRA HELE VERDEN TIL Å JOBBE MED SÅKALT “LAND ART”, BÆREKRAFTIG ENERGI, GRØNN ARKITEKTUR OG SOSIALT ENGASJERENDE PROSJEKTER, MENS MAN LEVER OG BOR PÅ EN ØKOLOGISK GÅRD.