A FASHIONISTA / DESIGNER / MODEL AND THE FREAK TSARINA: CHEEKY MAA ! SHE SAYS : ” WE ARE ALL CONNECTED ESPECIALLY NOW WITH SOCIAL MEDIA PLATFORMS. SO MANY HAVE FOUGHT FOR THE FREEDOM OF SELF-EXPRESSION AND NOW IS THE TIME TO EDUCATE THE IGNORANT AND TO SHAMELESSLY BE TRUE TO WHO WE REALLY ARE.”
” I hopped on a train with some Polaroids I’d taken with a disposable camera. I got incredibly lucky and got signed right away and started working from the get-go. I planned to only do it for the summer but then I fell in love with it and I have never looked back.”
ALEJANDRO JODOROWSKY SAID, “SOMEONE AND SOMETHING IS DREAMING US.EMBRACE THE ILLUSION.LIVE!” THERE IS AN AUDIENCE WHO IS DREAMING US AND ALLOWS US TO BE A PART OF THEM.
” My best talent is the ability to turn everything into a light game. I try to approach everything I do with a sense of playfulness. I play games. Even in the projects that demand a lot of energy and effort. I make choices to try to sustain the playful quality that we had when we were kids – to avoid limiting myself and to use my imagination freely. We must never forget how to play: So many great things can come out of it!”
MORE THAN A DISCOVERY, ALEX SUGARS HIS MOSTLY FIGURATIVE PLOTS BY MAINLY PUBLIC REALISM, INTERPRETING BY CURRENT DOMESTIC ROUTINES AND ITS AGENDAS LOADED WITH MANIAC TEASING AND CARTOONING LOW BROW. ALEX’S WORK IS CANDY-COLORFUL, CONCEPTUALLY ROMANTIC AND DRAG-IRONIC…
” MY STATEMENT IS: LIFE AIN´T EASY, IT´S SIMPLE. IF YOU BELIEVE IN SOMETHING, JUST-DO-IT-YOURSELF. I THINK EVERYBODY SHOULD FOLLOW THEIR DREAM, CAUSE YOU´LL ONLY HAVE ONE TICKET. LIVE A LITTLE FOR FUCK´S SAKE.”
“OPEN UP” IS ABOUT DARING TO BE HUMBLE, VULNERABLE. AND HONEST. IT IS ABOUT DARING TO EXPOSE FEELINGS AND LETTING PEOPLE SEE THAT YOU’RE NOT PERFECT. NOT A LOT OF PEOPLE DARE TO MEET ON TOTALLY HONEST LEVEL, MASKS OFF. LIFE CAN HURT YOU IF YOU DO NOT DEAL WITH YOUR PROBLEMS PROPERLY, NEGATIVE ENERGY CAN BE PERSISTENT. WE MUST DARE TO LET PEOPLE ENTER.
” I feel like the running and me creating music is part of the same thing. I can feel my body when I run and I also feel the music, whenever I do both I feel like my mind is free and not disturbed by a lot of thoughts. It makes me feel complete.”
” FOR TRE ÅR SIDEN GJORDE JEG ET TYPISK POPUP DRAGQUEEN-SHOW PÅ FINCKEN I BERGEN. ETTER FORESTILLINGEN TOK JEG AV MEG KOSTYMET, BYTTET DET UT MED MITT AFTER SHOW-ANTREKK, OG SAMMEN MED NOEN “TRANSER” GIKK JEG OVER VEIEN TIL UTESTEDET GARAGE. INGEN AV OSS KOM INN, MED BESKJED OM AT ”VI SLIPPER IKKJE INN FOLK I KOSTYMER”. NÅ ER JEG UTESTENGT PÅ LIVSTID, MED SAMME BEGRUNNELSE. “
DOWNTOWN 500 MAGAZINE GOT THE JOY OF GETTING TO KNOW SOHO REZANEJAD THROUGH OUR TOMBOY’S CONNECTION IN DENMARK. […]
“THE FIRST RULE OF PAINTING IS TO TAKE EVERYONE ELSE OUT OF THE EQUATION. I AM THE VIEWER, SO IDON’T UNDERESTIMATE MY VIEWERS. THEY SEE EVERYTHING AND I JUST HAVE TO ASSUME THAT THEY ARE ME. I CAN’T PAINT FOR ANYONE ELSE. IT’S ALL ABOUT HAVING THE COURAGE TO SAY THIS IS FINISHED AND THEY HAVE TO KNOW THAT, I AM THE BOSS IN PAINTING. ITS LIKE BEING A SOLDIER BECAUSE I HAVE TO BE HARD AS FUCK TO FALL IN LOVE WITH THESE THINGS AND LET THEM GO.”
” AFTER COVERING YOUR BODY WITH YOUR STORY, I TAKE PICTURES OF YOU TO LATER CLEAN YOU IN THE SHOWER. IT’S ALMOST LIKE HAVING AN AFFAIR, WHERE EVERYTHING THAT WE DID OR TALK ABOUT, GOES DOWN THE DRAIN. THEN USUALLY I’LL DRESS YOU AND YOU GO BACK TO YOUR EVERYDAY LIFE.”
” EVENTUALLY I WON MY POINT, WHICH WAS: – ” I AM AN ARTIST AND THAT TAPE IS ONE OF MY ART WORKS AND IT BELONGS TO ME.” YES THEY CAN HAVE A COPY. I HAD A POINT OF VIEW AND A REASON TO FIGHT. ON THE OPRAH WINFREY SHOW I SAID: “LITTLE BROTHER WATCHING BIG BROTHER”. THAT WAS A BIG STATEMENT AND MILLIONS OF PEOPLE SAW THAT. IT MEANT THAT ANY INDIVIDUAL WITH A CAMERA (WHICH CAN BE A POWER WEAPON USED TO PROTECT ONE’S DEMOCRATIC RIGHTS) CAN HOLD THE AUTHORITIES AND THE POLICE ACCOUNTABLE FOR THEIR ACTIONS ON THE STREET ! THAT WAS THE BEGINNING OF A WHOLE NEW DIGITAL AGE. “
FROM THAT PLACE, AS SOON AS MY EYES ARE OPEN, I CAN NO LONGER ESCAPE. NOT THAT I AM NAILED DOWN BY IT, SINCE AFTER ALL I CAN NOT ONLY MOVE, SHIFT, BUT I CAN ALSO MOVE IT, SHIFT IT, CHANGE ITS PLACE, THE ONLY THINGS IS THIS: I CANNOT MOVE WITHOUT IT. I CANNOT LEAVE IT THERE WHERE IT IS, SO THAT I; MYSELF, MAY GO ELSEWHERE. I CAN GO TO THE OTHER END OF THE WORLD; I CAN HIDE IN THE MORNING UNDER THE COVERS, MAKE MYSELF AS SMALL AS POSSIBLE. I CAN EVEN LET MYSELF MELT UNDER THE SUN AT THE BEACH-IT WILL ALWAYS BE THERE. WHERE I AM. IT IS HERE, IRREPARABLY: IT IS NEVER ELSEWHERE. MY BODY, IT’S THE OPPOSITE OF UTOPIA: THAT WHICH IS NEVER UNDER DIFFERENCE SKIES. IT IS THE ABSOLUTE PLACE, THE LITTLE FRAGMENT OF SPACE WHERE I AM, LITERALLY, EMBODIED. MY BODY, PITILESS PLACE.
” AS LONG AS THERE ARE GENUINE PEOPLE LOOKING TO BETTER THE WORLD AND SPREAD CREATIVITY, PUNK IS ALIVE AND WELL. I KNOW PLENTY OF PEOPLE THAT PROVE THAT. “
HILDE MARSTRANDER IS A NORWEGIAN ARTIST, ILLUSTRATOR, AND EX-FASHION JOURNALIST. HILDE HAS BEEN NOTED AS ONE OF NORWAY’S […]
” TOGETHER WITH KUNSTHALL OSLO AND MUNCH MUSEET IN MOTION, WE HAVE AN EXHIBITION PROGRAMME ATTRACTING A HIGHLY VARIED AND BROAD ART CROWD TO THIS AREA. AND A BIT FURTHER DOWN THE ROAD THE MUNCH MUSEUM AND MAIN LIBRARY TOGETHER WITH THE OPERA HOUSE, ALL THAT WILL FORM A RARE AND POWERFUL CENTRE FOR THE ARTS. I BELIEVE OTHER GALLERIES WILL FOLLOW SOON TOO.”
VI FILMER I DEN LEGENDARISKE
PARIS BAR I BERLIN
VI TAR EN KUNST-TUR INNE I BAREN OG IRMELIN FORTELLER OM DE SJELDNE KUNSTVERKENE SOM BLE SAMLET GJENNOM ÅRENE
SARAH LUCAS, MARTIN KIPPENBERGER ER BLANT DEM
“Suppose I were to give you a key ring […] with a hundred keys, and I was to tell you that one of these keys will unlock it, this door we’re imagining opening in onto all you want to be, as a player. How many of the keys would you be willing to try?’
‘Well I’d try every darn one,’ Rader tells Lyle.
‘Then you are willing to make mistakes, you see. You are saying you will accept 99% error. The paralyzed perfectionist you say you are would stand there before that door. Jingling the keys. Afraid to try the first key.”
― David Foster Wallace, Infinite Jest