I DEFINITELY BELIEVE ALL FINE TYPES OF ART TO BE POLITICAL IN A SENSE. I NEVER CONSIDERED MY DESIGN AND COLLECTIONS AS” FASHION” OR” TREND” BUT AS STATEMENTS. EVERY GARMENT I’VE DESIGNED, AND EVERY SHOW I PRESENTED, HAS A BACKGROUND STORY. I’m COMPLETELY UNINTERESTED IN CLOTHES AS FASHION ITEMS, AND I NEVER TRIED OR WANTED TO BE” TRENDY.” I LOVE THE STORIES THAT PEOPLE TELL, WITH THEIR LOOKS AND APPEARANCES. I ALWAYS TRIED TO TELL STORIES ON THE CATWALK WITH MY MODELS AND DESIGN.

” VI ER MANGE SOM VAR GENERASJON PERFEKT OG VILLE GJØRE ALT RIKTIG OG VÆRE FLINKEST DA JEG OGSÅ VAR TENÅRING. VI GRÅT MASSE OG GRUDDE OSS MASSE, OG VILLE AT LIVET SKULLE VÆRE PERFEKT. DET HETER FAKTISK Å VÆRE TENÅRING, DET HETER IKKE Å VÆRE PSYKISK SYK.”

“MY STATEMENT IS: LIFE AIN’T EASY; IT’S SIMPLE. IF YOU BELIEVE IN SOMETHING, JUST-DO-IT-YOURSELF. I THINK EVERYBODY SHOULD FOLLOW THEIR DREAM, CAUSE YOU’LL ONLY HAVE ONE TICKET. LIVE A LITTLE, FOR FUCK’S SAKE.”

” IS IT IMPORTANT TO BE A SEER? MAKE ONESELF A SEER? THE ARTIST BECOMES A SEER THROUGH A LONG, BOUNDLESS AND REASONED EXPLOSION OF ALL THE SENSES. ALL SHAPES OF LOVE SUFFERING AND ALL KINDS OF MADNESS. HE SEARCHES HIMSELF, HE EXHAUSTS ALL POISONS IN HIMSELF, TO PURE HIS UNIQUE QUINTESSENCES. A HEAVY TORTURE WHERE HE BECOMES AMONG ALL MEN THE GREAT PATIENT, THE GREAT CRIMINAL, THE GREAT ACCUSED ONE -AND THE SUPREME SCHOLAR! THUS HE REACHES THE UNKNOWN!… -THE ARTIST, A THIEF OF FIRE! “

” MUSIC WAS NOT A CHOICE FOR ME. IT IS AN ESSENTIAL PART OF MY LIFE, A NECESSITY, ACTUALLY. MUSIC IS MY ULTIMATE LOVE, AND I ENJOY SHARING THIS LOVE WITH EVERYONE ELSE THAT FEELS THE SAME. I GUESS THIS IS WHY I CHOSE DJ, SO I COULD SHARE THIS FEELING WITH OTHERS. “

THE AIM OF MULTIVERSAL IS TO DISCOVER INDEPENDENT REALITIES (MUSICIANS, ARTISTS, PERFORMERS, AND SPACES) CONCENTRATING ON SOUND AND IMPROVISATION (NOT AS A GENRE BUT AS A METHOD), CREATING PLATFORMS AND OCCASIONS THAT THESE REALITIES CAN MEET, COLLABORATE AND CREATE/ELABORATE NEW IDEAS AND PROJECTS.
CURATORIAL APPROACH OF MULTIVERSAL FOCUSES ON NON-COMMERCIAL AND LESS-VISIBLE REALITIES (IN OTHER WORDS, UNDERGROUND, D.I.Y.) AND HAS THE OBJECTIVE TO FACILITATE ENCOUNTERS, CONSIDERING THE PARALLELISMS, EXISTING OR NON(YET)EXISTING COMMON AND UNCOMMON ASPECTS OF THE PROJECTS, PEOPLE AND SPACES INVOLVED.

” HAN VAR AV DENNE MANGEHODEDE OG BROGEDE SKARE AV VRØVLEKOPPER, ABORTERETE MISFOSTRE OG HALVDANNEDE VIKTIGPAVER SOM TROR DE VET ALT, DENNE LEGION SOM STRAKS OG PÅ ET BLUNK TILSLUTTER SEG ENHVER IDÉ SOM ER PÅ MOTE, FOR SÅ UMIDDELBART Å VULGARISERE DEN OG PÅ DENNE MÅTEN LIKE HURTIG LAGE EN KARIKATUR AV ALT DET SOM DE I NOEN TILFELLER MENER SEG Å TJENE PÅ DEN MEST OPPRIKTIGE MÅTE. “

NOT ONLY THAT, BUT ALSO AS A CLEAN AND WAY MORE ECO-FRIENDLY WAY TO DISPOSE OF YOUR CRAP LIKE SEWAGE AND ORGANIC WASTE OFF, THE ONLY BY-PRODUCT BEING MORE ENERGY. ECO-FREAKS SHOULD GET ON THIS WAGON! IT’S A WIN-WIN

HVORDAN FINNER VI, NIR-VA-NA LAND A´? OG HVA, MED SELV-E, FUCK- AKTA A´? FRIS-TE FOR-MER! ER-RE PE-NE-TRE-RING, SOM ER NY-DE-LIG? ELLER ERRE, FÅRR-SCPHILL, SOM ER, TY-DE-LIG? ERRE SEL-VE, OV-ER-VEL-DEN-DE, KLI-MAX, PÅ SIN FIN-ESTE I VÅRT FOR-U-RENSET KLI-MA-ET?

JOSEPH BEUYS ABOUT SOCIAL ART

A TOTAL WORK OF ART IS ONLY POSSIBLE IN THE CONTEXT OF THE WHOLE OF SOCIETY. EVERYONE WILL BE A NECESSARY CO- CREATOR OF A SOCIAL ARCHITECTURE, AND, SO LONG AS ANYONE CANNOT PARTICIPATE, THE IDEAL FORM OF DEMOCRACY HAS NOT BEENREACHED.WHETHER PEOPLEARE ARTISTS, ASSEMBLERS OF MACHINES OR NURSES, IT IS A MATTER OF PARTICIPATING IN THE WHOLE.