Shoot Gallery’s new space in Oslo’s Barcode district reframes fine art photography as infrastructure rather than display—where curatorial authorship, branding logic, and market intelligence converge into a single, controlled visual system. At the centre, Helene Gulaker Hansen articulates a distinctly European model of the gallery: less white cube, more editorial machine for producing photographic value, taste, and international legibility.

Scandinavian fashion has spent years perfecting understatement. James Lazar Braathen gives it a pulse. Presented inside Oslo’s extraordinary Vigeland Museum, Cupid Carries a Gun trades predictable minimalism for sculptural glamour, sensual tailoring and the effortless confidence of a rock icon after midnight. Sophisticated, seductive and unmistakably Norwegian, this is the collection that reminds us true luxury never raises its voice—it simply commands the room.

A modest Norwegian upbringing, a Bowie-sized ambition, and a refusal to separate music from fashion, image from sound, or idea from execution. Under the name Suprastate, Thomas builds a self-contained creative system where noise, tailoring, and pop instinct collide into one continuous aesthetic engine. At a moment when culture is drowning in unfinished ideas, he insists on the opposite: everything must be made, fully, or not at all.