“I am not a statue; I want to be free from others and myself.”

DT 500 MAG: – Could you paint a picture of the landscape of your upbringing? Where did you spend your formative years, and how did those surroundings shape your journey?

SOHO: – I grew up with my parents. First, in a refugee camp outside of Copenhagen, my parents decided to move into the city, and Iran was no longer an option to return to. They raised me Western because they felt like foreigners in their native country. My mother fought for the rights I have today. My father, too. He would tell me his poems at night, and she would sing to me in Farsi.

DT 500 MAG: – Your creations, ‘Idolatry,’ ‘Catch the Girl,’ and ‘Every Day Another Holiday,’ have garnered widespread acclaim. Could you delve into the thematic threads that weave through these pieces? What inspired their creation, and what messages or emotions do you aim to convey through your music?

SOHO: – The record is a rendition of hunger and searching for someone I’m getting closer to.

“I am still shaping her. I’m learning what it’s like to release my own material. I’m getting a good grip on what I don’t need in my work – what I need to stir myself with. This stuff turns me on. “

DT 500 MAG: – Could you share your valuable insights and tips for aspiring individuals seeking to broaden their accessibility and cultivate creativity in their endeavors?

SOHO: – When you find a familiar pattern, it asks to be broken so you can move on to the next thing to break. If something scares you, just look at it and see it for what it is, and it won’t scare you anymore.

“Don’t get stuck on what you can’t do. In fact, don’t get stuck on anything. The world leaves no room for boredom. Spend time with people who want to share their ideas with you. Be with people who are confident enough not to get territorial. Those who believe in too much rather than too little. If you create your own reality, you’ll manage.”

DT 500 MAG: -our creative portfolio is rich with innovation. Care to spill the beans on the powerhouse behind your artistic vision? Who are the magicians working their magic alongside you, and how do these collaborations spice up your creative concoctions?

SOHO: – I took my friend Miccel Mohr’s Idolatry record after I laid down the framework. He has his own working style, which is different from mine, and he is very precise and versatile. We re-recorded the synths in his studio and tweaked the percussive details together. I generally work with people who show me concretely what they want.

“Precision is good, and it clarifies something waiting to be done. When you work with someone, the most important tool is the dynamic between you..”

DT 500 MAG: – Could you delve into the distinctive qualities of your vocal range?

SOHO: – I met a man in Berlin during the winter with whom I had a long conversation about transsexualism. He had very long hair and beautiful piano fingers. A masseuse and I asked him to feel my back. He thought of me as a boy growing into a woman. That stuck with me for a while. I was glad to hear from a stranger that I was becoming. Then I found out that the throat is built like a rubber band. Stretching your low octaves also expands the elasticity of your high ranges.

DT 500 MAG: – When you ride the waves of electro, synth, or techno in your music, what kind of vibes or feelings do you stir up with your unique soundscapes and lyrical narratives?”

SOHO: – I grew up listening to diverse music, everything from Diamanda Galas to The KLF. From Gregorian chanting to Iranian sonata. I’ve set up a projector in my studio, and it plays all the classic films of New York City in the 70s. They get me closer to a narrative.

DT 500 MAG: – Comparing Copenhagen to Soho Rezanejad, what elements of your city and personal journey inspire your music and creative process?

SOHO: – My studio inspires me. The water is next to my home. The community in Mayhem. The beautiful souls in Warehouse 9.

COPENHAGEN, DENMARK  – Renowned for her mesmerising blend of dark electro and soul-stirring vocals, Soho Rezanejad announces the release of her latest single, ‘Echoes of Tomorrow’. Set to captivate audiences worldwide, this eagerly awaited track marks a pivotal moment in Soho’s musical journey.

Following the success of her debut EP ‘Idolatry’, ‘Echoes of Tomorrow showcases Soho’s evolution as a visionary artist. Produced under her own label, Silicone Records, the single is a testament to her unwavering commitment to pushing the boundaries of electronic music.

“‘Echoes of Tomorrow’ reflects personal growth and resilience,” says Soho Rezanejad. “It delves into themes of transformation and the unbreakable spirit within us all.”

From haunting melodies to pulsating beats, ‘Echoes of Tomorrow’ promises to resonate deeply with listeners. Soho’s distinctive vocals weave through intricate layers of sound, creating an atmospheric experience that is both emotive and empowering.

In anticipation of the single’s release, Soho will embark on a series of live performances, captivating audiences with her dynamic stage presence and electrifying energy. Her tour will begin with a headline show, as seen below, followed by appearances in major cities across Europe and the United States.

To coincide with the launch, Soho Rezanejad will engage fans through an interactive social media campaign, offering behind-the-scenes glimpses into the making of ‘Echoes of Tomorrow’ and exclusive content for her dedicated followers.

DT 500 MAG: -SOHO’s UPCOMING SHOWS

– 31.10.2015 – Hotel Figueroa, Los Angeles (USA)

– 02.11.2015 – Hotel Figueroa, Los Angeles (USA)

– 11.11.2015 – Ideal Bar, Copenhagen (DK)

#RAPTURE!

Text by: Arthur Sopin

Photo by:  Tao Hansen