“What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn’t everyone’s life become a work of art? Why should the lamp or the house be an art object, but not our life?”
― Michel Foucault

FROM THAT PLACE, AS SOON AS MY EYES ARE OPEN, I CAN NO LONGER ESCAPE. NOT THAT I AM NAILED DOWN BY IT, SINCE AFTER ALL I CAN NOT ONLY MOVE, SHIFT, BUT I CAN ALSO MOVE IT, SHIFT IT, CHANGE ITS PLACE, THE ONLY THINGS IS THIS: I CANNOT MOVE WITHOUT IT. I CANNOT LEAVE IT THERE WHERE IT IS, SO THAT I; MYSELF, MAY GO ELSEWHERE. I CAN GO TO THE OTHER END OF THE WORLD; I CAN HIDE IN THE MORNING UNDER THE COVERS, MAKE MYSELF AS SMALL AS POSSIBLE. I CAN EVEN LET MYSELF MELT UNDER THE SUN AT THE BEACH-IT WILL ALWAYS BE THERE. WHERE I AM. IT IS HERE, IRREPARABLY: IT IS NEVER ELSEWHERE. MY BODY, IT’S THE OPPOSITE OF UTOPIA: THAT WHICH IS NEVER UNDER DIFFERENCE SKIES. IT IS THE ABSOLUTE PLACE, THE LITTLE FRAGMENT OF SPACE WHERE I AM, LITERALLY, EMBODIED. MY BODY, PITILESS PLACE.

Whether in business, the professions, the arts, or in personal and community life, such skills are essential in fostering The Group Projects or the Social Artistry which will lead to constructive change. Conversely, without these skills, collaborative activity tends to degenerate into the kinds of petty bickering which gives “committees” their reputation for inefficiency and interpersonal vulnerability.
Frank E. Weinert and Rainer H. Kluwe psychologists explain that Role-Playing develops a capacity for metacognition (or dialogue with unconsciousness) the ability to think about the ways one thinks. It is a natural result of the exercise of role-distance, the shifting between the role of the part being played and the role of the actor in the conference with the director about how that part should be performed. The resulting “choosing self” is a psychological complex which represents a degree of mental flexibility that is a step beyond the ordinary rational level of consciousness because it deals with the realistic capacity to shift among some different frames of reference. It may even be that this type of mental flexibility represents the next step in the evolution of consciousness.

” TOGETHER WITH KUNSTHALL OSLO AND MUNCH MUSEET IN MOTION, WE HAVE AN EXHIBITION PROGRAMME ATTRACTING A HIGHLY VARIED AND BROAD ART CROWD TO THIS AREA. AND A BIT FURTHER DOWN THE ROAD THE MUNCH MUSEUM AND MAIN LIBRARY TOGETHER WITH THE OPERA HOUSE, ALL THAT WILL FORM A RARE AND POWERFUL CENTRE FOR THE ARTS. I BELIEVE OTHER GALLERIES WILL FOLLOW SOON TOO.”

” IS IT IMPORTANT TO BE A SEER? MAKE ONESELF A SEER? THE ARTIST BECOMES A SEER THROUGH A LONG, BOUNDLESS AND REASONED EXPLOSION OF ALL THE SENSES. ALL SHAPES OF LOVE SUFFERING AND ALL KINDS OF MADNESS. HE SEARCHES HIMSELF, HE EXHAUSTS ALL POISONS IN HIMSELF, TO PURE HIS UNIQUE QUINTESSENCES. A HEAVY TORTURE WHERE HE BECOMES AMONG ALL MEN THE GREAT PATIENT, THE GREAT CRIMINAL, THE GREAT ACCUSED ONE -AND THE SUPREME SCHOLAR! THUS HE REACHES THE UNKNOWN!… -THE ARTIST, A THIEF OF FIRE! “

” MUSIC WAS NOT A CHOICE FOR ME. IT IS AN ESSENTIAL PART OF MY LIFE, A NECESSITY ACTUALLY. MUSIC IS MY ULTIMATE LOVE AND I ENJOY SHARING THIS LOVE WITH EVERYONE ELSE THAT FEELS THE SAME. I GUESS THIS IS WHY I CHOSE TO DJ, SO I COULD SHARE THIS FEELING WITH OTHERS. “